The Midnight Shift — Pilot

Auto-structured from the screenplay into scene cards optimized for early budgeting conversations: where the expensive pressure points appear, how often they recur, and which scenes likely need closer line-by-line manual verification.

Scenes
92
Pages
70
Night scenes
19
Vehicle scenes
58
High-pressure scenes
24
Top signal
Vehicles / driving work

Producer heatmap

script-wide pressure map

This heatmap gives producers a fast read on where the episode’s operational pressure lives before any detailed stripboard or budgeting pass.

Night workNight-heavy scheduling pressure
19 scenes
Vehicles / driving workHero vehicles, driving scenes, rigging
58 scenes
Supernatural / VFX beatsAfterlife interactions and invisible beats
25 scenes
Stunts / action choreographyFalls, collisions, threat, physical action
17 scenes
Police / medicalHospital, paramedics, detective / police beats
16 scenes
AnimalsCat and guard dogs
15 scenes
Special locationsGarage, barge/bar, hospital, cemetery, newsroom
33 scenes
Period wardrobe / props1975 Mercedes, 90s flashback, period texture
6 scenes
High concentration Meaningful load Lighter presence

Primary cast presence (rough pass)

Harry · 29 scenesCont · 19 scenesPersephone · 15 scenesGeorge · 11 scenesMaxim · 10 scenesDispatcher · 7 scenesAndreas · 6 scenesSacha · 6 scenesVlad · 5 scenes

Scene cards

92 total
Scene 001 • p.2

EXT. CLIFF – NIGHT

TypeEXT
TimeNIGHT
LocationCLIFF
CastPearl Black

The sea devours rock under a cold fool moon. A PEARL BLACK 1975 MERCEDES W123, idle at the cliff’s edge, nose tilted toward the void - the slightest release and it would roll straight into the sea. CUT TO:

Night workVehicles / driving workPeriod wardrobe / props
Key budget cuesNight exterior/interiorHero / picture vehiclesPeriod vehicles / props
Scene 002 • p.2

INT. MERCEDES – CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationMERCEDES
CastHarry, Drive

At the driver's seat - HARRY (early 40s); mediterranean, sharp-featured, effortless charm worn thin. He sits behind the wheel like a man who has nowhere else to be… and all the time in the world. HARRY watches the das...

Vehicles / driving work
Key budget cuesHero / picture vehicles
Scene 003 • p.2

INT. APARTMENT – NIGHT

TypeINT
TimeNIGHT
LocationAPARTMENT
CastAndreas, Dominatrix

Candles. Leather. Industrial hum. ANDREAS (30s), earnest, tech-bro adjacent but without the money, cradles a tuxedo cat. A name tag dangling from the cat's collar; "Daphne". She's just like a little baby. Sometimes sh...

Night workAnimals
Key budget cuesNight exterior/interiorCat / dog handling
Scene 004 • p.2

EXT. CLIFF – CONTINUOUS

TypeEXT
TimeCONTINUOUS
LocationCLIFF
CastDispatcher, Static, Wakes

The Mercedes lunges forward. The engine cuts out. Dead silence. Radio STATIC. Attempt recorded. Futility confirmed. Client assigned. The car WAKES UP again. Harry puts the gear in reverse and pulls out back in to the...

Vehicles / driving workSupernatural / VFX beats
Key budget cuesHero / picture vehiclesPractical + subtle VFX
Scene 005 • p.3

INT. BEDROOM – NIGHT

TypeINT
TimeNIGHT
LocationBEDROOM
CastDominatrix, Andreas

Andreas tied up to the bed with handcuffs. The Dominatrix runs her whip gently through his bare hairy chest. Safe word? Daphne... Breath falters. He collapses

Night workSpecial locations
Key budget cuesNight exterior/interiorCompany move / art direction
Scene 006 • p.3

EXT. BUILDING – MOMENTS LATER

TypeEXT
TimeMOMENTS LATER
LocationBUILDING
CastHarry, Taxi Horn

Paramedics rush inside. Andreas exits, pale and confused. A TAXI HORN. Harry waits. Get in

Vehicles / driving workStunts / action choreographyPolice / medicalSupporting cast / extras
Key budget cuesHero / picture vehiclesAction / safety beatsUniforms / procedural beatsBackground / featured extras
Scene 007 • p.3

INT. MERCEDES – CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationMERCEDES
CastAndreas, Harry

Harry pulls an old mechanical meter. 48:00. I can’t be dead. You are. Beat. My cat— Harry exhales. What about it?

Vehicles / driving workSupernatural / VFX beatsAnimals
Key budget cuesHero / picture vehiclesPractical + subtle VFXCat / dog handling
Scene 008 • p.4

EXT. APARTMENT WINDOW – LATER

TypeEXT
TimeLATER
LocationAPARTMENT WINDOW
CastAndreas, Harry

Through the lit window: The Dominatrix gently places the cat in a carrier. She strokes its head. She’ll keep her? Looks like it. Beat. I just wanted her safe. Harry watches the Dominatrix kiss the cat softly. Somethin...

Vehicles / driving workSupernatural / VFX beatsAnimals
Key budget cuesHero / picture vehiclesPractical + subtle VFXCat / dog handling
Scene 009 • p.4

EXT. SIDE STREET – MOMENTS LATER

TypeEXT
TimeMOMENTS LATER
LocationSIDE STREET
CastAndreas

Harry stops abruptly. Silence. He stares at the rearview mirror. What are you doing? Harry doesn’t answer. He puts the car in reverse

Vehicles / driving work
Key budget cuesHero / picture vehicles
Scene 010 • p.4

INT. BDSM APARTMENT – MOMENTS LATER

TypeINT
TimeMOMENTS LATER
LocationBDSM APARTMENT
CastParamedic, Dominatrix, Harry, Cont

The paramedics are strapping Andreas' body into a stretcher. Daphne wrapping her tail on to her owners feet. Time of death 12:45AM. We barely touched each other. I don't understand... Door opens.They nod at Harry who'...

Stunts / action choreographyAnimalsPolice / medicalSpecial locationsSupporting cast / extras
Key budget cuesAction / safety beatsCat / dog handlingUniforms / procedural beatsCompany move / art direction
Scene 011 • p.5

EXT. THE GATE – SUNRISE

TypeEXT
TimeSUNRISE
LocationTHE GATE
CastAndreas, Harry, Dispatcher, Cut To Black., The Midnight Shift

Ancient tunnel. Medieval stone swallowing light. The Mercedes idles. Andreas removes a silver ancient Greek obol from beneath his tongue and hands it to Harry. Harry takes it. Examines it briefly. Slips it into his co...

Vehicles / driving workSupernatural / VFX beatsAnimalsLanguage / accent demands
Key budget cuesHero / picture vehiclesPractical + subtle VFXCat / dog handling
Scene 012 • p.6

INT. GEORGE’S APARTMENT – NIGHT

TypeINT
TimeNIGHT
LocationGEORGE’S APARTMENT
CastPersephone, George, Clack. Clack., Clack., Tavli

A modest, lived-in apartment. Framed photographs everywhere. Landscapes. Street portraits. A few old family shots. On the coffee table, a TAVLI board (a variant of backgammon) open mid-game. The CLACK of wooden pieces...

Night workSupernatural / VFX beatsAnimalsSupporting cast / extras
Key budget cuesNight exterior/interiorPractical + subtle VFXCat / dog handlingBackground / featured extras
Scene 013 • p.9

EXT. RUSTIC NEIGHBOURHOOD - NIGHT

TypeEXT
TimeNIGHT
LocationRUSTIC NEIGHBOURHOOD
Cast

The taxi turns into a road bathed in street light. Nothing but the engine grumble can be heard for miles. A neon sign that reads “Acheron Taxi” is reflecting on the windshield of the Mercedes. Eventually Harry turns i...

Night workVehicles / driving workSpecial locations
Key budget cuesNight exterior/interiorHero / picture vehiclesCompany move / art direction
Scene 014 • p.10

INT. ACHERON TAXI SERVICE UNDERGROUND GARAGE - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationACHERON TAXI SERVICE UNDERGROUND GARAGE
CastSkater, Harry, Orpheas, Clink. Clink., Templar

Three doberman dogs, free of any chains, are guarding the garage. The hounds are lying down lazily, unfazed by the car turning in. Harry steps out, throws his cigarette on the floor and kills it with a stomp and twist...

Vehicles / driving workSupernatural / VFX beatsAnimalsPolice / medicalSpecial locationsSupporting cast / extras
Key budget cuesHero / picture vehiclesPractical + subtle VFXCat / dog handlingUniforms / procedural beats
Scene 015 • p.14

EXT. BUILDING ROOFTOP - NIGH

TypeEXT
TimeNIGH
LocationBUILDING ROOFTOP
CastSacha, Vlad, George, Cyka., Slaps

GEORGE stands on the ledge of a roof. He is in a wrinkled suit with his tie undone. He hyperventilates as he looks behind him to stare at the vast void below him. A hand SLAPS George across the cheek. The assailants a...

Vehicles / driving workStunts / action choreographySpecial locationsLanguage / accent demands
Key budget cuesHero / picture vehiclesAction / safety beatsCompany move / art direction
Scene 016 • p.16

INT. TAXI CAB - LATER

TypeINT
TimeLATER
LocationTAXI CAB
CastDispatcher, Harry, Cont

Harry is in the driver’s seat. The sudden peace and quiet inside the vehicle is disrupted by static noise emanating from the two-way radio. Pick up Harry. You have a customer. Harry stares at the radio. Harry pick up....

Vehicles / driving workSupernatural / VFX beats
Key budget cuesHero / picture vehiclesPractical + subtle VFX
Scene 017 • p.16

EXT. PAVEMENT – CONTINUOUS

TypeEXT
TimeCONTINUOUS
LocationPAVEMENT
CastDetective, Harry, Sirens, Paramedic, Taxi Horn

SIRENS wail. George’s body lies twisted on the crushed roof of a car. Blood. Glass. Still. A PARAMEDIC checks for pulse. Nothing. The lead DETECTIVE exhales. A TAXI HORN cuts through the noise. Across the street, Harr...

Vehicles / driving workStunts / action choreographySupernatural / VFX beatsPolice / medicalSupporting cast / extras
Key budget cuesHero / picture vehiclesAction / safety beatsPractical + subtle VFXUniforms / procedural beats
Scene 018 • p.17

INT. TAXI CAB - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationTAXI CAB
CastHarry

George enters the backseat and closes the door. Harry exhales cigarette smoke. He pulls down on a lever attached on a mechanical taximeter from the 1960’s. The number “48” pops on the meter. Time is running pops, wher...

Vehicles / driving workAtmospherics / smoke
Key budget cuesHero / picture vehiclesSmoking / haze continuity
Scene 019 • p.17

INT. CLICKBAY MAIN WORK SPACE - EVENING

TypeINT
TimeEVENING
LocationCLICKBAY MAIN WORK SPACE
CastJim, Persephone, Isidor, Clickbay, Editors

A loud, fluorescent ecosystem of outrage. Walls plastered with tabloid gold: compromised celebrities, red circles, arrows, screaming headlines. A giant neon #CLICKBAY sign dominates the far wall. It’s dopamine farming...

Vehicles / driving workSpecial locationsSupporting cast / extrasLanguage / accent demandsAtmospherics / smoke
Key budget cuesHero / picture vehiclesCompany move / art directionBackground / featured extrasSmoking / haze continuity
Scene 020 • p.19

INT. CLICKBAY/EDITOR’S OFFICE - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationCLICKBAY/EDITOR’S OFFICE
CastIsidor, Persephone, Cont

The door opens. ISIDOR (50s), immaculately styled, flamboyant without apology, sits behind his desk holding a glossy magazine open to a nude centerfold. He doesn’t look at her. What do you see? Desperation. He lowers...

Vehicles / driving workSpecial locations
Key budget cuesHero / picture vehiclesCompany move / art direction
Scene 021 • p.21

INT. TAXI CAB (MOVING)

TypeINT
Time
LocationTAXI CAB (MOVING)
CastHarry, George, Dispatcher, Cont

Complete silence. Harry drives as George rests comfortably in the back seat. Blood pumps from his smashed shoulders all over the tapestry. George uses his hand to block the leakage but there is just too much haemoglob...

Vehicles / driving workSupernatural / VFX beats
Key budget cuesHero / picture vehiclesPractical + subtle VFX
Scene 022 • p.23

INT. LATE 90’S BMW 5-SERIES - LATER

TypeINT
TimeLATER
LocationLATE 90’S BMW 5
CastSacha, Vlad, Cont

Vlad is in the driver seat and Sacha by his side. They are discussing in their native Russian tongue. Vlad. What? What is your dream job? Fucker, this is my dream job. Really? Being a thug is your dream job? First of...

Vehicles / driving workStunts / action choreographyPeriod wardrobe / propsLanguage / accent demands
Key budget cuesHero / picture vehiclesAction / safety beatsPeriod vehicles / props
Scene 023 • p.24

EXT. APARTMENT BUILDING - CONTINUOUS

TypeEXT
TimeCONTINUOUS
LocationAPARTMENT BUILDING
Cast

The car is parked across from an apartment building. The gangsters exit the vehicle and walk inside

Vehicles / driving work
Key budget cuesHero / picture vehicles
Scene 024 • p.24

INT. APARTMENT BUILDING/ELEVATOR - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationAPARTMENT BUILDING/ELEVATOR
CastVlad, Sacha

Vlad and Sacha lock and load their guns. What about you? What? What’s your dream job? Forget about it. I told you mine, come on. Beat. Fine, I want to be the owner of a flower-shop. Vlad turns his head to face Sacha....

Stunts / action choreographyAnimalsSpecial locations
Key budget cuesAction / safety beatsCat / dog handlingCompany move / art direction
Scene 025 • p.25

INT. APARTMENT BUILDING/HALLWAY - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationAPARTMENT BUILDING/HALLWAY
Cast

The men walk through the hallway. They stop outside a door. Sacha picklocks the door and they enter

Dialogue / routine coverage
Key budget cuesRoutine coverage
Scene 026 • p.25

INT. PERSEPHONE’S APARTMENT - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationPERSEPHONE’S APARTMENT
CastVlad, Sacha, Insert - Photograph, Back To Scene, Dna

The men ransack the place. In the process a deep philosophical discussion emerges. Bar Mitzvahs? You are not even Jewish! Actually, I kind of am. I did one of those DNA ancestry things and... Oh fuck off. I did. I fou...

Special locations
Key budget cuesCompany move / art direction
Scene 027 • p.26

EXT. APARTMENT BUILDING - NIGHT

TypeEXT
TimeNIGHT
LocationAPARTMENT BUILDING
Cast

Harry’s taxi pulls up and stops next to the goons’ car

Night workVehicles / driving work
Key budget cuesNight exterior/interiorHero / picture vehicles
Scene 028 • p.26

INT. TAXI CAB - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationTAXI CAB
CastHarry, George

Okay stay here. I’ll be right back. That’s her car! Persephone exits the car and walks towards the building. Harry is out of the taxi and hauls ass towards her

Vehicles / driving work
Key budget cuesHero / picture vehicles
Scene 029 • p.27

INT. APARTMENT BUILDING/ELEVATOR - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationAPARTMENT BUILDING/ELEVATOR
Cast

Persephone is in the elevator. She presses the button as she looks down on her phone. Doors are closing. Harry runs to her but too late. Harry looks at the floor number. It stops at level 4

Special locations
Key budget cuesCompany move / art direction
Scene 030 • p.27

INT. APARTMENT BUILDING/HALLWAY - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationAPARTMENT BUILDING/HALLWAY
Cast

The elevator door opens. Persephone comes out. She walks through the hallway, puts her phone in her purse and grabs her vaping mod. She inhales and disperses a cloud. She stops outside her door and searches in her pur...

Special locations
Key budget cuesCompany move / art direction
Scene 031 • p.27

INT. APARTMENT BUILDING/STAIRCASE - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationAPARTMENT BUILDING/STAIRCASE
Cast

Harry runs up the stairs. He reaches the designated floor

Dialogue / routine coverage
Key budget cuesRoutine coverage
Scene 032 • p.27

INT. APARTMENT BUILDING/HALLWAY - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationAPARTMENT BUILDING/HALLWAY
Cast

Persephone finds her key and inserts it in the keyhole. She twists and turns the key but the lock won’t budge

Dialogue / routine coverage
Key budget cuesRoutine coverage
Scene 033 • p.27

INT. APARTMENT - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationAPARTMENT
Cast

The goons hear the attempts to open the door and Vlad strides outside. Sacha attempts to remove his gun from the holster. Vlad puts his hand on Sacha and nods a “What the fuck are you doing” look. Vlad looks through t...

Stunts / action choreography
Key budget cuesAction / safety beats
Scene 034 • p.27

INT. APARTMENT BUILDING/HALLWAY - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationAPARTMENT BUILDING/HALLWAY
CastHarry, Phone Rings, Persephone, Cont

Harry walks rapidly towards Persephone, he clears his throat. He is unnerved. Miss? Persephone does not hear him. She manages to unlock the door, she twists the lock... She picks up her purse, finds the phone and answ...

Supernatural / VFX beatsSpecial locationsAtmospherics / smoke
Key budget cuesPractical + subtle VFXCompany move / art directionSmoking / haze continuity
Scene 035 • p.28

INT. TAXI CAB - CONTINUOUS (MOVING)

TypeINT
TimeCONTINUOUS (MOVING)
LocationTAXI CAB
CastGeorge, Harry, Dispatcher, Cont

Harry checks his pocket watch while fidgeting with a lit cigarette in his mouth. He raises an eyebrow when he realises that the time is 04:50. George looks like he just lost a million dollars on a sure thing. Harry pl...

Vehicles / driving workSupernatural / VFX beatsAnimalsAtmospherics / smoke
Key budget cuesHero / picture vehiclesPractical + subtle VFXCat / dog handlingSmoking / haze continuity
Scene 036 • p.29

EXT. GENERAL HOSPITAL - DAWN

TypeEXT
TimeDAWN
LocationGENERAL HOSPITAL
Cast

Persephone arrives at the hospital with her car and sprints through the parking lot towards the reception

Vehicles / driving workPolice / medicalSpecial locations
Key budget cuesHero / picture vehiclesUniforms / procedural beatsCompany move / art direction
Scene 037 • p.29

INT. GENERAL HOSPITAL - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationGENERAL HOSPITAL
CastPersephone, Doctor, General Hospital Morgue, Amalia

Persephone races towards the reception desk, where a man in a suit is talking quietly with a DOCTOR. Their conversation stops when she arrives. The doctor turns towards Persephone, at the same time the suited man take...

Police / medicalSpecial locationsLanguage / accent demands
Key budget cuesUniforms / procedural beatsCompany move / art direction
Scene 039 • p.30

INT. GENERAL HOSPITAL SITTING AREA - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationGENERAL HOSPITAL SITTING AREA
CastSergeant Anthony, Persephone, Suited Man, Cont

The nurse offers Persephone a cup of coffee after placing her in a chair. The SUITED MAN who was talking to the doctor before, slowly approaches Persephone and sits next to her. The man has grey temples and a knowing...

Vehicles / driving workStunts / action choreographyPolice / medicalSpecial locationsPeriod wardrobe / propsLanguage / accent demands
Key budget cuesHero / picture vehiclesAction / safety beatsUniforms / procedural beatsCompany move / art direction
Scene 040 • p.32

EXT. THE DEN, SOUTH LONDON - NIGH

TypeEXT
TimeNIGH
LocationTHE DEN, SOUTH LONDON
CastTurbo

Rain. Stadium floodlights still glowing in the distance. A battered yellow RENAULT 5 TURBO tears through wet streets. The back window is shattered. Inside —

Vehicles / driving workPeriod wardrobe / props
Key budget cuesHero / picture vehiclesPeriod vehicles / props
Scene 041 • p.32

INT. RENAULT 5 – CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationRENAULT 5
CastPeter, Harry, Duffel Bag, Bloody Hell, Cont

Two men at the front seats are screaming their hearts - out of joy! Young HARRY (early 20s) — reckless, wired. Face smeared with crude football hooligan paint — streaks of red and white dragged across his cheeks like...

Vehicles / driving workStunts / action choreographyPolice / medicalSpecial locationsPeriod wardrobe / props
Key budget cuesHero / picture vehiclesAction / safety beatsUniforms / procedural beatsCompany move / art direction
Scene 042 • p.33

INT. RENAULT 5 – MOMENTS LATER

TypeINT
TimeMOMENTS LATER
LocationRENAULT 5
CastPeter

Steam hisses. Petrol drips. Peter is crushed against the dashboard. The war paint now mixed with blood. His grin is gone. Harry coughs. Disoriented. The duffel bag has burst open. Cash everywhere. Sirens louder now. B...

Vehicles / driving workSupernatural / VFX beatsPeriod wardrobe / propsAtmospherics / smoke
Key budget cuesHero / picture vehiclesPractical + subtle VFXPeriod vehicles / propsSmoking / haze continuity
Scene 043 • p.34

EXT. SOUTH LONDON STREET – CONTINUOUS

TypeEXT
TimeCONTINUOUS
LocationSOUTH LONDON STREET
CastPresent Day, Frame Transitions From, Format, Aspect Ratio

Harry stumbles out of the wreck clutching the bag. He looks back. Through the cracked windshield— Peter’s painted face stares at him. Half war mask. Half accusation. Police lights flood the street. Harry runs. CUT TO:...

Stunts / action choreographyPolice / medical
Key budget cuesAction / safety beatsUniforms / procedural beats
Scene 044 • p.34

EXT. PARK - MORNING

TypeEXT
TimeMORNING
LocationPARK
CastShop Assistant, Harry, Coffee Park Kiosk, Woman

Harry walks around the park staring at families, and life around him in general. Everything seems to be happening without his consent or presence. 45 EX. COFFEE PARK KIOSK - CONTINUOUS Harry approaches the coffee stan...

Dialogue / routine coverage
Key budget cuesRoutine coverage
Scene 046 • p.35

EXT. PARK - CONTINUOUS

TypeEXT
TimeCONTINUOUS
LocationPARK
CastShop Assistant

Harry walks around the park and finds a quiet corner with a scenic backdrop. The sun is gloriously bathing the greenery with light, birds are chirping. He slumps on a bench. The coffee shop assistant surprises him. He...

Atmospherics / smoke
Key budget cuesSmoking / haze continuity
Scene 047 • p.35

INT. MAXIM'S LUXURY CARS - MORNING

TypeINT
TimeMORNING
LocationMAXIM'S LUXURY CARS
CastMaxim, Vlad, Maxim Maxim, Sacha, Maxim Leontyev

This is the desk of MAXIM LEONTYEV, head of the Vor v Zakonye cell in Cyprus. Maxim is tall, he has a strong jaw and sharp features with explicitly cold eyes. He is in his mid 50's. The office is decorated with tacky...

Vehicles / driving workStunts / action choreographySupernatural / VFX beatsSpecial locationsLanguage / accent demands
Key budget cuesHero / picture vehiclesAction / safety beatsPractical + subtle VFXCompany move / art direction
Scene 048 • p.37

INT. CYPRUS INDEPENDENCE VETERANS CLUB - MORNING

TypeINT
TimeMORNING
LocationCYPRUS INDEPENDENCE VETERANS CLUB
CastGiannos, Persephone, Cont

A classic clubhouse for veterans of the war of Cyprus independence. The walls are dressed in banners of heroes and wreaths. Flags are visible from every angle of the room. Only one table is occupied by four old men pl...

Vehicles / driving workSpecial locationsLanguage / accent demands
Key budget cuesHero / picture vehiclesCompany move / art direction
Scene 049 • p.38

INT. HARRY’S APARTMENT - DAY

TypeINT
TimeDAY
LocationHARRY’S APARTMENT
Cast

The apartment is a small boring studio, almost completely empty. An old brown sofa and a coffee table are the only furniture around. Harry is lazing around on the sofa - Daphne (the cat) rolled up in a bun by his feet...

AnimalsSpecial locationsAtmospherics / smoke
Key budget cuesCat / dog handlingCompany move / art directionSmoking / haze continuity
Scene 050 • p.39

EXT. PERSEPHONE’S APARTMENT BUILDING - DAY

TypeEXT
TimeDAY
LocationPERSEPHONE’S APARTMENT BUILDING
Cast

Anthony sits in his car watching Persephone parking her car. She steps out and a black SUV stops next to her. The co- driver door opens and Sacha steps out holding a lavish bouquet of flowers. He quickly opens the rea...

Vehicles / driving work
Key budget cuesHero / picture vehicles
Scene 051 • p.39

INT. MAXIM’S SUV - DUSK

TypeINT
TimeDUSK
LocationMAXIM’S SUV
CastMaxim, Persephone, Cont

The black SUV is doing a route through the centre of the city. Vlad drives and Maxim in the backseat holds Persephone’s hand. She stares at his hand ridden with gold rings. I know we haven’t talked in ages but you sho...

Vehicles / driving workSupporting cast / extrasLanguage / accent demandsAtmospherics / smoke
Key budget cuesHero / picture vehiclesBackground / featured extrasSmoking / haze continuity
Scene 052 • p.40

EXT. BAR-ABYSS ENTRANCE - MAGIC HOUR

TypeEXT
TimeMAGIC HOUR
LocationBAR
CastTuxedo Man, Harry, Fella, Cont

Harry takes a stroll along a beach when he comes across a small fishing port. Between the little dinghies and rusted aluminium bass boats there is a bigger wooden cabin cruiser named “BarAvissos”. A tall well-groomed...

Special locations
Key budget cuesCompany move / art direction
Scene 053 • p.41

INT. BAR-ABYSS - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationBAR
CastThalia, Harry, Baravissos Customer, Men, Women

The interior of the cabin feels much bigger than the outside; A long bar is in the far corner, a pool table in the middle and high tables scattered around. A small Jazz-trio is playing a cover version of George Michae...

Supernatural / VFX beatsAnimalsSpecial locationsSupporting cast / extras
Key budget cuesPractical + subtle VFXCat / dog handlingCompany move / art directionBackground / featured extras
Scene 054 • p.43

INT. CLICKBAY MAIN WORK SPACE - NIGHT

TypeINT
TimeNIGHT
LocationCLICKBAY MAIN WORK SPACE
CastIsidor, Persephone, Cont

The office is completely empty, the only one working is Persephone. She is going through the pictures she took of the minister and zooming in the mysterious woman who he was with. The face is unclear and blurry but th...

Night workVehicles / driving workSpecial locations
Key budget cuesNight exterior/interiorHero / picture vehiclesCompany move / art direction
Scene 055 • p.45

INT. BAR-ABYSS - NIGHT (LATER)

TypeINT
TimeNIGHT (LATER)
LocationBAR
CastThalia, Harry, Cont

Harry enjoys his second drink when he notices all the other drivers starting to prepare to leave. The clock above the bar turns to 12:00, midnight, Thalia rings the bar-bell. Go on boys, time for work and time for me...

Night workSpecial locationsSupporting cast / extras
Key budget cuesNight exterior/interiorCompany move / art directionBackground / featured extras
Scene 056 • p.45

EXT. BAR-ABYSS - MIDNIGHT

TypeEXT
TimeMIDNIGHT
LocationBAR
Cast

A dozen taxi cabs are parked outside the small fishing port, freshly departed clients are already sitting in most of them. Harry approaches his own cab and gets inside

Night workVehicles / driving workSpecial locations
Key budget cuesNight exterior/interiorHero / picture vehiclesCompany move / art direction
Scene 057 • p.45

INT. TAXI - MIDNIGHT

TypeINT
TimeMIDNIGHT
LocationTAXI
CastHarry, George

George is in the backseat. The old taxi meter is now counting down from the number 29. Hope I didn’t keep you waiting. Harry fires up the engine and drives away. How is she? She’s fine. You sure? I think so. If I know...

Night workVehicles / driving work
Key budget cuesNight exterior/interiorHero / picture vehicles
Scene 058 • p.46

EXT. CEMETERY - NIGHT

TypeEXT
TimeNIGHT
LocationCEMETERY
Cast

A cemetery on a hill looking below at the city’s sea of lights, no soul in sight other than Persephone who just parked near by. Persephone walks towards a tombstone, it reads: “Amalia Fragkou, Beloved Mother & Wife. 1...

Night workSpecial locations
Key budget cuesNight exterior/interiorCompany move / art direction
Scene 059 • p.46

INT. TAXI - NIGHT

TypeINT
TimeNIGHT
LocationTAXI
CastGeorge, Harry, Harry Harry, Harry Harry

Harry parks the Mercedes across the parking lot far awayfrom Persephone’s car. She’s here. How did you know? She always comes here during tough times. Smooth ambush George. How should we play this then? Can I come wit...

Night workVehicles / driving work
Key budget cuesNight exterior/interiorHero / picture vehicles
Scene 060 • p.47

EXT. CEMETERY – NIGHT

TypeEXT
TimeNIGHT
LocationCEMETERY
CastPersephone, Harry, Cont, Red Usb Stick, Usb

Persephone kneels before her mother’s grave. The candle beside the headstone has almost burned out. Footsteps crunch on gravel. She spins— Pepper spray up. I am armed with four million Scovilles, in my disposal. Harry...

Night workVehicles / driving workSupernatural / VFX beatsSpecial locations
Key budget cuesNight exterior/interiorHero / picture vehiclesPractical + subtle VFXCompany move / art direction
Scene 061 • p.49

INT. MERCEDES – CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationMERCEDES
CastPersephone, Harry, Back Seat

Persephone gets into the BACK SEAT. Harry starts the engine. In the passenger seat— George sits silently. Watching. Persephone freezes. She feels something. A shift in temperature - she rubs her arms. Did you turn the...

Vehicles / driving workSupernatural / VFX beats
Key budget cuesHero / picture vehiclesPractical + subtle VFX
Scene 062 • p.49

EXT. OLD NICOSIA STREETS – NIGHT

TypeEXT
TimeNIGHT
LocationOLD NICOSIA STREETS
CastGeorge, Persephone, Harry, Red Light., Off

Narrow alleys and tight stone corridors. The Mercedes darts left, right. BMW aggressive behind them. Harry downshifts hard. The engine growls. George leans toward his daughter in the back seat. Perse… She shivers and...

Night workVehicles / driving workSupernatural / VFX beatsSupporting cast / extras
Key budget cuesNight exterior/interiorHero / picture vehiclesPractical + subtle VFXBackground / featured extras
Scene 063 • p.51

EXT. MAXIM’S HOUSE - MORNING

TypeEXT
TimeMORNING
LocationMAXIM’S HOUSE
CastMaxim, Anthony, Ivan, House, Kitchen

A black sedan car stops outside a big mansion in an upscale neighbourhood. It overlooks the deep blue sea of the mediterranean. Anthony exits the car. He approaches the entrance door and rings the bell. He approaches...

Vehicles / driving workStunts / action choreographyPolice / medicalSpecial locationsAtmospherics / smoke
Key budget cuesHero / picture vehiclesAction / safety beatsUniforms / procedural beatsCompany move / art direction
Scene 064 • p.54

INT. STRIP JOINT - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationSTRIP JOINT
CastSacha, Maxim, Rings

Alcoholic early birds rejoice as girls dance half-assed on shiny poles oblivious of the new day outside. Sacha and Vlad sit comfortably in a private booth, recipients of a lap dance from two girls who give their all i...

Stunts / action choreography
Key budget cuesAction / safety beats
Scene 065 • p.55

INT. APARTMENT BUILDING, LIVING ROOM - MORNING

TypeINT
TimeMORNING
LocationAPARTMENT BUILDING, LIVING ROOM
Cast

Persephone walks in her apartment, the whole place is in disarray. Persephone checks each room frantically. She finally enters the office room

Dialogue / routine coverage
Key budget cuesRoutine coverage
Scene 066 • p.55

INT. APARTMENT BUILDING, OFFICE - MORNING

TypeINT
TimeMORNING
LocationAPARTMENT BUILDING, OFFICE
CastInsert - Computer Screen, Computer Screen, Accounts, Other

A big library is standing across the room behind a classic mahogany desk. On the middle shelf a long series of family photos decorate the space. She sits on her desk and takes one good long stare at a family photo wit...

Supporting cast / extras
Key budget cuesBackground / featured extras
Scene 067 • p.56

INT. SUV - NIGHT

TypeINT
TimeNIGHT
LocationSUV
CastDemetra, Maxim, Back To Scene, Cfo

Maxim is in the back seat of his Black SUV, the car’s door opens and Demetra, the German CFO, steps in taking the seat beside him. Maxim smiles. Wipe that fucking grin off your face. So angry! Your husband does not ta...

Night workVehicles / driving workSupporting cast / extrasLanguage / accent demands
Key budget cuesNight exterior/interiorHero / picture vehiclesBackground / featured extras
Scene 068 • p.57

INT. TAXI CAB - MORNING

TypeINT
TimeMORNING
LocationTAXI CAB
Cast

Harry sits in the taxi, trying hard to stay awake. He is parked outside Persephone’s apartment complex. He sips on a coffee in a paper cup. Suddenly, Vlad and Sacha walk calmly out of the building, Persephone walks in...

Vehicles / driving workLanguage / accent demands
Key budget cuesHero / picture vehicles
Scene 069 • p.57

EXT. INDUSTRIAL ZONE - MORNING

TypeEXT
TimeMORNING
LocationINDUSTRIAL ZONE
Cast

The Lada turns into the open large gate of a warehouse in a busy industrial district. Trailer trucks are being loaded, the early morning sun dances off the plethora of metallic surfaces scattered in the warehouse yard...

Vehicles / driving workSupernatural / VFX beatsAnimals
Key budget cuesHero / picture vehiclesPractical + subtle VFXCat / dog handling
Scene 070 • p.57

INT. WAREHOUSE - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationWAREHOUSE
CastGto

The automated vertical gate closes after the Lada passes through. The warehouse is tall and well lit with no windows to be found. Inside is a car haven for unicorns that are seldom seen on streets: A Corso Red 1962 Fe...

Vehicles / driving workSupernatural / VFX beatsAnimals
Key budget cuesHero / picture vehiclesPractical + subtle VFXCat / dog handling
Scene 071 • p.57

INT. 1990 VOLVO 900 - CONTINUOUS

TypeINT
TimeCONTINUOUS
Location1990 VOLVO 900
CastMaxim, Cont

Persephone sits alone in silence. She looks around the car. A few second of stillness. The driver door opens, startling her. Maxim sits behind the wheel. He calmly takes a cigarette pack out of his jacket pocket. He o...

Vehicles / driving workSupernatural / VFX beatsAtmospherics / smoke
Key budget cuesHero / picture vehiclesPractical + subtle VFXSmoking / haze continuity
Scene 072 • p.58

EXT. INDUSTRIAL ZONE - CONTINUOUS

TypeEXT
TimeCONTINUOUS
LocationINDUSTRIAL ZONE
Cast

The ugly Volvo exits the warehouse and slowly rolls towards the linked fence that leads to the street

Dialogue / routine coverage
Key budget cuesRoutine coverage
Scene 073 • p.58

INT. 1990 VOLVO 900 - CONTINUOUS

TypeINT
TimeCONTINUOUS
Location1990 VOLVO 900
CastMaxim, Cont

Then there is the Porsche 550. The slightest of mistakes and you are Borscht. Persephone reaches a shaking hand inside her pocket and retrieves her vaping mod. She takes a laborious drag and fills the cabin with vapor...

Dialogue / routine coverage
Key budget cuesRoutine coverage
Scene 074 • p.58

INT. TAXI CAB - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationTAXI CAB
Cast

Harry stares at the bland Swedish automobile exiting the warehouse premises. The driver window rolls down and Maxim throws the vaping mod on the tarmac. Harry catches a glimpse of Persephone in the co-driver seat. He...

Vehicles / driving workAnimals
Key budget cuesHero / picture vehiclesCat / dog handling
Scene 075 • p.59

INT. 1990 VOLVO 900 - CONTINUOUS

TypeINT
TimeCONTINUOUS
Location1990 VOLVO 900
CastMaxim, Persephone, Maxim Maxim, Usb, Maxim Maxim

Persephone looks distraught and very defensive. Babushka, don’t worry. Uncle Maxim will buy you another one. Better one. But not Cinnamon. Is shit. Where are we going? George was a Volvo. He did his job, kept quiet. H...

Vehicles / driving workStunts / action choreographySupporting cast / extras
Key budget cuesHero / picture vehiclesAction / safety beatsBackground / featured extras
Scene 076 • p.60

EXT. SUBURBAN AREA - CONTINUOUS

TypeEXT
TimeCONTINUOUS
LocationSUBURBAN AREA
Cast

Both cars enter a habited suburban neighbourhood

Vehicles / driving work
Key budget cuesHero / picture vehicles
Scene 077 • p.60

INT. TAXI CAB - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationTAXI CAB
Cast

Harry is focused while following the Volvo. He checks his mirrors

Vehicles / driving work
Key budget cuesHero / picture vehicles
Scene 078 • p.61

INT. 1990 VOLVO 900 - CONTINUOUS

TypeINT
TimeCONTINUOUS
Location1990 VOLVO 900
CastMaxim, Persephone, Cont

What you saw was an insurance policy, and it’s safely back in my hands. Everything is ok. He turns a menacing eye towards Persephone. Right? Persephone takes a breath. The car suddenly stops. They are parked across fr...

Vehicles / driving work
Key budget cuesHero / picture vehicles
Scene 079 • p.61

EXT. OUTSIDE APARTMENT COMPLEX - CONTINUOUS

TypeEXT
TimeCONTINUOUS
LocationOUTSIDE APARTMENT COMPLEX
Cast

Persephone walks on the street. Halfway across she catches a glimpse of the old Austin Cambridge and Harry behind the wheel. They lock eyes. She pauses for a moment. Harry reaches for the driver’s door handle

Animals
Key budget cuesCat / dog handling
Scene 080 • p.61

INT. 1990 VOLVO 900 - CONTINUOUS

TypeINT
TimeCONTINUOUS
Location1990 VOLVO 900
CastMaxim

Maxim is relaxed behind the wheel. Ponyatiya. He quickly turns the Volvo around and speeds towards Persephone

Language / accent demands
Key budget cuesRoutine coverage
Scene 081 • p.61

EXT. APARTMENT COMPLEX - CONTINUOUS

TypeEXT
TimeCONTINUOUS
LocationAPARTMENT COMPLEX
Cast

Harry opens the driver door, while staring at Persephone. She is standing in the middle of the street. A loud thumping noise breaks the still, as the Volvo crashes into Persephone, launching her rag doll body onto the...

Stunts / action choreography
Key budget cuesAction / safety beats
Scene 082 • p.62

INT. TAXI CAB (MOVING) - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationTAXI CAB (MOVING)
Cast

Harry drives maniacally. Persephone lies bloody and incapacitated in the back seat

Vehicles / driving work
Key budget cuesHero / picture vehicles
Scene 083 • p.62

INT. HOSPITAL/CORRIDOR - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationHOSPITAL/CORRIDOR
Cast

Persephone is on a stretcher and is being rolled through a hospital wing

Police / medicalSpecial locations
Key budget cuesUniforms / procedural beatsCompany move / art direction
Scene 084 • p.62

INT. HOSPITAL/OPERATING ROOM - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationHOSPITAL/OPERATING ROOM
CastSurgeons

A group of masked SURGEONS are on top of a passed out Persephone. They exchange medical tools. The beeping sound of her heart rate fluctuates from high to low

Police / medicalSpecial locations
Key budget cuesUniforms / procedural beatsCompany move / art direction
Scene 085 • p.62

INT. HOSPITAL/WAITING ROOM - NIGHT

TypeINT
TimeNIGHT
LocationHOSPITAL/WAITING ROOM
CastDoctor, Harry

Harry sits impatiently on a chair. He checks his watch. Time is running out. It’s 11:50. A DOCTOR approaches him. Are you family? Yes. Cousins. How is she? We managed to get her stable. She has a subdural hematoma, we...

Night workPolice / medicalSpecial locationsSupporting cast / extras
Key budget cuesNight exterior/interiorUniforms / procedural beatsCompany move / art directionBackground / featured extras
Scene 086 • p.63

INT. HOSPITAL/VICKY’S ROOM - NIGHT

TypeINT
TimeNIGHT
LocationHOSPITAL/VICKY’S ROOM
Cast

Persephone lies immobile on her bed, tubed in. The heart rate monitor beeps. The respirator roars. A clock ticks on the wall. It’s 11:59. Harry enters the room hurriedly. He approaches Persephone. He stares at her. Su...

Night workVehicles / driving workPolice / medicalSpecial locations
Key budget cuesNight exterior/interiorHero / picture vehiclesUniforms / procedural beatsCompany move / art direction
Scene 087 • p.63

INT. TAXI CAB - MIDNIGHT

TypeINT
TimeMIDNIGHT
LocationTAXI CAB
CastGeorge, Harry, Dispatcher, Harry Harry, Persephone

Harry is inside his taxi outside the hospital. The meter is now counting down from the number 2. George waits for him in the back seat. He looks outside as a roaring, speeding ambulance returns back to the hospital. W...

Night workVehicles / driving workStunts / action choreographySupernatural / VFX beatsPolice / medicalSpecial locations
Key budget cuesNight exterior/interiorHero / picture vehiclesAction / safety beatsPractical + subtle VFX
Scene 088 • p.65

EXT. THE GATE - CONTINUOUS

TypeEXT
TimeCONTINUOUS
LocationTHE GATE
Cast

The Taxi cab enters reaches the tunnel within the gate and comes to a halt

Vehicles / driving workSupernatural / VFX beats
Key budget cuesHero / picture vehiclesPractical + subtle VFX
Scene 089 • p.65

INT. TAXI CAB - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationTAXI CAB
Cast

Harry switches off the engine. A strange cloud of mist surrounds the car

Vehicles / driving work
Key budget cuesHero / picture vehicles
Scene 090 • p.65

EXT. THE GATE - CONTINUOUS

TypeEXT
TimeCONTINUOUS
LocationTHE GATE
CastGeorge, Harry

Harry gets out of the car and opens the passenger door. George exits. George hands his obol to Harry, who avoids his gaze and looks down. Thank you. For what? George turns to Persephone who is still sitting in the car...

Vehicles / driving workSupernatural / VFX beats
Key budget cuesHero / picture vehiclesPractical + subtle VFX
Scene 091 • p.65

INT. TAXI CAB - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationTAXI CAB
CastHarry

Harry enters the taxi cab. Where to? Silence. Harry checks his rearview mirror. She screams as her door suddenly opens wide open and an unknown unseen powerful force pulls her straight out of the car and into nothing....

Vehicles / driving work
Key budget cuesHero / picture vehicles
Scene 092 • p.65

INT. HOSPITAL ROOM - NIGHT

TypeINT
TimeNIGHT
LocationHOSPITAL ROOM
CastDoctor, Nurses

A pair of hands hold defibrillators on Persephone’s chest. Three, two, one, clear! Persephone’s body twitches as she is pumped with a high voltage current. One of the NURSES looks at the heart beat monitor. It suddenl...

Night workPolice / medicalSpecial locations
Key budget cuesNight exterior/interiorUniforms / procedural beatsCompany move / art direction
Scene 093 • p.66

INT. TAXI CAB - CONTINUOUS

TypeINT
TimeCONTINUOUS
LocationTAXI CAB
CastHarry, Dispatcher, George, Orpheas, Cont

Harry grabs the radio. Where did she go? Long beat. She’s not a client anymore. Sunlight touches the windshield. George braces— He doesn’t disappear. Beat. Nothing. George looks confused. Harry walks up to him. Why am...

Vehicles / driving workStunts / action choreographySupernatural / VFX beatsAtmospherics / smoke
Key budget cuesHero / picture vehiclesAction / safety beatsPractical + subtle VFXSmoking / haze continuity
Scene 094 • p.69

EXT. THE GATE (GOD’S VIEW) - CONTINUOUS

TypeEXT
TimeCONTINUOUS
LocationTHE GATE (GOD’S VIEW)
CastFade To Black, Black

The car comes to life, lights on, and slowly moves through the road as we pull back towards the night sky revealing the city skyline

Vehicles / driving workSupernatural / VFX beats
Key budget cuesHero / picture vehiclesPractical + subtle VFX